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dc.contributor.authorBartram, Lynen_US
dc.contributor.authorNakatani, Aien_US
dc.contributor.editorOliver Deussen and Peter Hallen_US
dc.date.accessioned2013-10-22T07:19:16Z
dc.date.available2013-10-22T07:19:16Z
dc.date.issued2009en_US
dc.identifier.isbn978-3-905674-17-0en_US
dc.identifier.issn1816-0859en_US
dc.identifier.urihttp://dx.doi.org/10.2312/COMPAESTH/COMPAESTH09/129-136en_US
dc.description.abstractRecent work has shown the potential of basic perceptual properties of motion for notification, association and visual search. Yet evidence from fields as diverse as perceptual science, social psychology and the performing arts suggest that motion has much richer communication potential in its interpretative scope. A long history of research and practice in the affective properties of motion has resulted in a bewildering plethora of potentially rich communicative attributes. What remains to be established is how and whether these perceptual effects and impressions can be computationally manipulated in a display environment as variables of affective communication. In this paper we explore attributes of expressive motion and report initial results from a study in which we explored which attributes might be most important in distinguishing motions meant to convey emotion.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectCategories and Subject Descriptors I.3.3 [Computer Graphics]: Animation, perception, affective user interfaces, visualizationen_US
dc.titleDistinctive Parameters of Expressive Motionen_US
dc.description.seriesinformationComputational Aesthetics in Graphics, Visualization, and Imagingen_US


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