dc.contributor.author | Szafir, Danielle Albers | en_US |
dc.contributor.author | Gleicher, Michael | en_US |
dc.contributor.editor | Tobias Isenberg and Filip Sadlo | en_US |
dc.date.accessioned | 2016-06-09T09:33:39Z | |
dc.date.available | 2016-06-09T09:33:39Z | |
dc.date.issued | 2016 | en_US |
dc.identifier.isbn | 978-3-03868-015-4 | en_US |
dc.identifier.issn | - | en_US |
dc.identifier.uri | http://dx.doi.org/10.2312/eurp.20161151 | en_US |
dc.identifier.uri | https://diglib.eg.org:443/handle/10 | |
dc.description.abstract | Color encoding design currently focuses on the colors themselves: visualization designers choose sets of colors that work well in isolation. However, the effectiveness of a color encoding depends on properties of the visualization it is used for, such as the size or shape of marks. We argue for a new way of thinking about color design in visualizations: designers should choose colors based on a given context rather than in isolation. We identify three categories of design constraints that contribute to the effective color choices in visualization: aesthetic constraints, perceptual constraints, and functional constraints. The conceptual framework formed by these constraints helps designers optimize color choices based on known properties of a given visualization. In this poster, we discuss this framework in detail and illustrate how it informs more effective visualization design. | en_US |
dc.publisher | The Eurographics Association | en_US |
dc.subject | H.5.2 [User Interfaces] | en_US |
dc.subject | Screen Design | en_US |
dc.subject | Graphics and Color | en_US |
dc.title | Visualization-Aware Color Design | en_US |
dc.description.seriesinformation | EuroVis 2016 - Posters | en_US |
dc.description.sectionheaders | Poster | en_US |
dc.identifier.doi | 10.2312/eurp.20161151 | en_US |
dc.identifier.pages | 97-99 | en_US |